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A series of pedagogically-based collaborations designed for artists such as Alison Knowles, the Guerrilla Girls, and Laura Anderson Barbata to engage with Columbia College Chicago Interdisciplinary Arts graduate students.
The online exhibition featured in the video here documents the collaborative hand papermaking editions by Venezuelan Yanomami artist, Sheroanawë Hakihiiwë. They were created at the Center for Book, Paper & Print under the direction of Melissa Hilliard Potter, Associate Professor at Columbia College Chicago.
The artworks produced contribute to the rare documentation created by the Yanomami about their community, as their historical tradition is predominantly oral. The symbols featured in the artworks are inspired by Hakihiiwë's mother, who like other women in the community painted these symbols on babies for protection.
The online exhibition of this work was produced in Professor Potter's graduate Art as Practice course in Spring 2017.
Student Curators: Colleen McCulla, Book and Paper; Robyn Day, Photography; Sarah Hiatt, Photography; DW McCraven, Interdisciplinary Arts; Willa Goettling, Book and Paper; Lynn Elam, Book and Paper; Phil Worfel, Interdisciplinary Arts
A series of pedagogically-based collaborations designed for artists such as Alison Knowles, the Guerrilla Girls, and Laura Anderson Barbata to engage with Columbia College Chicago Interdisciplinary Arts graduate students.
The online exhibition featured in the video here documents the collaborative hand papermaking editions by Venezuelan Yanomami artist, Sheroanawë Hakihiiwë. They were created at the Center for Book, Paper & Print under the direction of Melissa Hilliard Potter, Associate Professor at Columbia College Chicago.
The artworks produced contribute to the rare documentation created by the Yanomami about their community, as their historical tradition is predominantly oral. The symbols featured in the artworks are inspired by Hakihiiwë's mother, who like other women in the community painted these symbols on babies for protection.
The online exhibition of this work was produced in Professor Potter's graduate Art as Practice course in Spring 2017.
Student Curators: Colleen McCulla, Book and Paper; Robyn Day, Photography; Sarah Hiatt, Photography; DW McCraven, Interdisciplinary Arts; Willa Goettling, Book and Paper; Lynn Elam, Book and Paper; Phil Worfel, Interdisciplinary Arts
The online exhibition featured in the video here documents the collaborative hand papermaking editions by Venezuelan Yanomami artist, Sheroanawë Hakihiiwë. They were created at the Center for Book, Paper & Print under the direction of Melissa Hilliard Potter, Associate Professor at Columbia College Chicago.
American Institutional Indebtedness (Behind the Scenes) by Jonathan Castillo was produced through an independent study in the Columbia College Chicago papermaking studios. This video by Cody Schlabach features Castillo’s performative process of turning U.S. currency into handmade paper.
Paper mask, by Rossy Peralta, in response to the Covid-19 pandemic when classes quickly went online Spring 2020.
MFA in Book & Paper alumna, Selena Ingram’s thesis work, The Fragile Morphologies of Pulp Bodies, made in handmade paper cast in her apartment bathroom.
MFA in Book & Paper alumna, Mirjana Ursulesku, Echoes in the Dust, 2019. Photo solvent print on vinyl, 60 x 90 inches.
Guest artist, weaver Monika Neuland Thomas collaborates with Melissa Potter to teach weaving techniques in handmade paper.
Student, Philly Johnson stands underneath the work of Andrea Romero, who created a mobile weaving studio for her train commute.
Student, K Lange uses Asian papermaking techniques to transform paper into fabric to create a performance wearable.
Julia Pastrana: Becoming, a zine produced with Interdisciplinary Arts graduate students and artist Laura Anderson Barbata for the course, Art of Collaboration designed by Melissa Potter as part of the Revolution at Point Zero: Feminist Social Practice exhibition.
Book & Paper alumna, Boo Gilder creates papel picado-inspired pulp paintings for Laura Anderson Barbata.
Creating handmade banana paper with The Guerrilla Girls to engage in activist poster making with Columbia College Chicago Interdisciplinary Arts graduate students, a partnership with their exhibition, Not Ready to Make Nice at the Glass Curtain Gallery in Chicago.
Book & Paper alumna, Kaitlin Kostus (left) works on one of Sheroanawë Hakihiiwë's edition images.